When an idea is a good one, it tends to stick. But when it has been stuck for a while,…
Album Review: Soho Rezanejad – Six Archetypes
For the most part, Six Archetypes is a collection of dreary soundscapes with industrial and synthpop inflections. Soho Rezanejad is…
Art Review: Greek
Revival Dir. Daisy Evans, Theatre Royal Glasgow, 2nd – 3rd February The Scottish Opera’s performance of ‘Greek’ irrefutably proved that…
Books: The Gifts that Live On
Summer 2013, Cork, Ireland. I’m in my favourite room in my favourite house – my grandmother’s library. It’s teeming with…
How (Not!) to Gift a Book
As someone who loves books, getting them as a present can nevertheless be a horrible experience. Because unfortunately, books seem…
Passports in the Time of Brexit
Ellen Magee reflects upon the role of passports to young people in the United Kingdom following the vote to leave…
Accessible Cinema for All
Katie Fannin discusses the importance of inclusive cinema experiences in Glasgow and beyond.
Film Review – The Square
Ruben Östlund’s Palme d’Or winner The Square has rightly placed at the forefront of its publicity campaign the film’s central…
Album Review: Dream Wife – ‘Dream Wife’
British/Icelandic pop punk band Dream Wife’s self-titled debut album is a bouncy, cheerfully angry release. The feminist trio choose their…
Album Review: Tune-Yards – ‘I Can Feel You Creep Into My Private Life’
In Tune-Yards’ latest album I Can Feel You Creep Into My Private Life, founder and front-woman Merrill Garbus once again…
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