David McGinley discusses the role of political parties today, and what it means to be a member of one. The…
Film Review: Like Crazy
In association with The Scottish Mental Health Arts Festival Like Crazy is a delicately humorous portrayal of mental illness that…
Violence and Absurdity and Dingbats
Tasha Baldassarre writes on the lasting impact and continuing relevance of the Coen Brothers’ varied and unique filmography. The Coen…
Consumption: When Life Gives You Lemons, Learn to Cook
Ivy Massey on the creativity and liberation that can be found in cooking
Live Review: Ghostpoet
Stereo// 28/10 Image credit: Katie McPeake Following the release of his eagerly anticipated new album Dark Days + Canapés, it’s…
I Reclaim The Night
It is somewhat after eight o’clock and I am heading from a volunteering shift at Document Human Rights Festival at…
Album Review: Anton du Beke – ‘From the Top’
Anton du Beke, the stand-out star dancer from Strictly Come Dancing, showcases his many talents on the release of his…
EP Review: No Vacation – ‘Intermission’
No Vacation stay true to their name by taking no breaks on their new EP, Intermission. Coming off a two…
Live Review: Rag’n’Bone Man
O2 Academy, 18/11 “I don’t get given these songs; I write them myself”. While Rag’n’Bone Man is quite a modest…
Album Review: Tame Impala – ‘Currents B-Sides & Remixes’
829 days after the release of Kevin Parker’s third album as Tame Impala, he uploads a YouTube video of himself…
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