Stereo, 30/09 As the ex-electronic percussionist of German phenomenon Kraftwerk, Wolfgang Flür has been an essential member in shaping the…
Exercising the Mind
It is inevitable that some days my only form of exercise will be the walk from my flat to the…
Live Review: Sigur Rós
SECC Armadillo, 25/09 Our first sight of Icelandic behemoth Sigur Rós is in silhouette. The trio – bassist Georg Hólm,…
QMU Autumn By-election 2017: Hustings Liveblog
Welcome to tonight’s hustings liveblog! There will be 6 seats available at Thursday’s election: three Current Student Representative (CSR) A…
EP Review: Phutureprimitive – ‘Flow’
Phutureprimitive’s latest EP Flow is every bit as stunning as you’d expect from an electronic talent such as San Francisco-based…
Live Review: Denai Moore
Stereo, 4/10 Pacing up and down Renfield Street in the rain while trying to find the entrance to Stereo really…
A Brief History of Glasgow: Scottish Colonialism on the Streets of Glasgow
A brief history of Glasgow in 8 columns, part 1: Scottish colonialism on the streets of Glasgow
Film Review: Sad Girl Cinema
In association with the Scottish Queer International Film Festival First of all: Sad Girl Cinema is a work in progress.…
The Power of CRISPR
Something amazing can be found in the DNA of bacteria: CRISPR (Clustered Regularly Interspaced Short Palindromic Repeats) genes. They allow…
Art Review: Stravinsky
Scottish Ballet, Chor. Sir Kenneth MacMillan and Christopher Hampson, Theatre Royal, 6th – 7th October 2017
