Cannes is a world away from Fife. Whilst Fife, where I come from, can often be very cold, very grey—and…
‘Beatopia’ – Album Review
After ‘Fake It Flowers’, Beadbadoobee strikes again with her follow-up album, seeming to explore a softer, wistful side in comparison…
From Page to Screen: Does Where the Crawdads Sing Soar or Stumble?
This article contains light spoilers for the film and the book. Four stars At the beginning of July, I started…
His Lordship – Live at London’s 100 Club
THE EPEncapsulating post-pandemic restlessness in a way none of us knew we needed, ‘His Lordship’s’ newest EP ‘All Cranked Up’…
The Lovely Eggs – Live at Stereo
For a band organising a tour without management or agents, the Lovely Eggs seem to have amassed an impressive cult…
Beabadoobee “See You Soon” Review
Following up on her previous single “Talk,” Beabadoobee has released “See You Soon,” the second single from her upcoming second…
Whats the ‘rail’ story behind the 2022 RMT strikes?
An obscure one for sure, but whoever put rail strikes on their 2022 disaster bingo sheet must be feeling awfully…
Summer in the sun?
When we were younger, before phones and the constant connection to our friends, summer meant an escape: an escape from…
Aldous Harding “Tick Tock” Review
Surrealism and music go hand-in-hand; they both have a flexibility and a fluidity that, done well, marrybeautifully. Folk singer Aldous…
The Charlatans at the O2 Academy Glasgow, 18th May 2022
The heavy, heavy nonstop Manchester sound. The nonchalance that indie kids can only dream of and thedance moves of those…
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