Tron Theatre, 15th – 16th of February 2019 Based on playwright Nick Makoha’s flight from dictatorship in his home country…
Live Review: The Japanese House
St Luke’s, 18/11/18 Last night I retreated from the crisp November darkness and into St Luke’s, an alternatively used church…
Drawing Life: A Never-Ending Process
Life-drawing, to me, is a highly creative and highly empowering experience. My clearest memories of life-drawing always take me…
Live Review: The Jellyman’s Daughter
The Hug and Pint, 21/11/18 After a string of dates touring around America, The Jellyman’s Daughter are back in…
Top of the Plops
A good relaxing shit is one of the finer things in life. It relaxes you by taking a load off…
The EU Rambling: How I Turned Out to be a Legal Alien
One may think that a brand new EU passport may be the key to heaven to all Member States. I…
Protect Our Children or Educate and Expose?
Content warning: this article addresses the portrayal of sexual assault in film and television. The British Board of Film Classification,…
Live Review: Maggie Rogers
SWG3, 17/2/19 Sometimes I wonder why we pay money to watch music live, instead of just listening to it in…
Review: TEDxUniversityofGlasgow 2019 Launch Party
Currently in its sixth year, TEDxUniversityofGlasgow is a local, self-organised branch of TED at our own University of Glasgow. Every…
Ways of Seeing: How M.I.A Dismantles the Establishment
At the end of last year, I was lucky enough to catch the last screening of Matangi/ Maya/ M.I.A at…
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