The credits rolled. ‘So, what did you think?’ I asked my friend. ‘Thrusters…’ she replied. ‘Thrusters and funerals.’ This observation…
Travel Writing: New York, United States
Jet-lag creeping in on us, at first it was hard to follow the enthusiastic chatter of the taxi driver taking…
Live Review: Hollie McNish and Victoria McNulty
Òran Mór, 10/10/18 “As the real life transformers I’m saying Megatron ain’t shit Compared to female bodies To prepare to grow…
Album Review: Farao – Pure-O
Farao entered the music scene with a promising debut that drew influences from a wide range of artists, eras and…
Chai Chats: Trying Very Hard to be Moderately Happy (An Ode to Living your ‘Okayest’ Life)
Everything I’ve ever written that has been vaguely… not awful has been rattled out whilst sprawled on the kitchen floor,…
Album Review: Lala Lala – The Lamb
Since playing Lala Lala’s debut album on repeat after its release in 2016, I have eagerly awaited the second album…
Just the Ticket: MubiGo and the Subscription Model
On the heels of the US-based Moviepass and its British counterparts Cineworld Unlimited and Odeon Limitless, arthouse and indie streaming…
Live Theatre In Your Local Cinema: The Greatness of NT Live
Picture this: you are a 15-year old Finnish teenager and after watching BBC’s Sherlock, you become a massive fan of…
Arts Review: Silent
Dir. Jim Culleton, Tron Theatre, 21st September Silent is an Olivier Award winning play, written and performed by Pat Kinevane,…
Album Review: The Joy Formidable – AAARTH
The Joy Formidable, as anyone who has done their research or was around in 2012 knows, once supported the Foo…
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