As part of the Aye Write! Festival, 24th March 2018, 6:30PM – 7:30PM, Tramway. This event was ideal for a…
Live Review: Dream Wife
Stereo, 23/03 With its low ceiling and stage, Stereo’s basement provides an intimate and engaging space to share with bands,…
Live Review: Tonight Alive
QMU, 10/03 Tonight Alive were supported by The Gospel Youth and ROAM. ROAM were energetic and passionate, and it was…
Arts Review: Orca
This semester’s Open Slot presented Matt Grinter’s Orca, the winner of the 2016 Papatango New Writing Prize, directed by Max…
Aye Write: Nasty Women
17 March, Glasgow Royal Concert Hall It started with an idea, which took shape on the day “Trump happened”. Then…
Part 6: City of Music
A brief history of Glasgow in 8 columns, part 6: City of Music.
Live Review: Field Music
St. Luke’s, 17/03 “I think our songs would sound kind of lame out of tune”, chuckles Peter Brewis, who, alongside…
Arts Review: Mae Martin
The Stand, 13th March 2018, in collaboration with Glasgow International Comedy Festival A very short summary of Canadian-born comedienne Mae…
Album Review: George Fitzgerald – ‘All That Must Be’
George Fitzgerald’s newest album All That Must Be expertly combines atmospheric techno with much more euphoric moments. There’s a liminal…
Travel Writing: Sexism in the South
This university year, I have switched the crammed streets of University Avenue for a life on the South East coast…
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